If you've been meaning to come — this is the week.
What began as a question about transformation has held, for the past three weeks, a kind of sustained aliveness on the walls. Twenty artists, twenty different accounts of the same impossible thing: what it feels like to be in the middle of becoming something you can't yet name.
That's still here. Until next Saturday.
Noah Alexander Isaac Stein, Night, 2021. Oil and Wax on Panel. 11 × 14 in.
Noah Alexander Isaac Stein works in oil and wax, building surfaces that hold light differently than paint alone can — something between depth and membrane. Night is not a picture of darkness. It is darkness in the act of becoming: a field that seems to breathe, to shift, to almost remember something.
$2,000 INQUIRE
Katsura Okada, Spirits Dwelling in Trees No. 05, 2021. Mixed Media. 10 × 10 in.
Katsura Okada works in the space between the seen and the felt — where presence accumulates in layered, careful marks. Spirits Dwelling in Trees No. 05 holds the particular silence of something that has always existed but is only now being perceived: the world not as backdrop, but as living witness.
$1,500 INQUIRE
Jason Fondren, Breath, 2026. Oil on Canvas. 24 × 18 in.
Jason Fondren pulls four figures from deep oil and dark ground — forms caught arriving, not yet fully here. The painting asks for patience, and then rewards it.
$2,000 INQUIRE
Come this week. Bring someone.
Wednesday – Saturday, 1–6 PM.
325 Broome Street, 1W · New York, NY 10002 · By appointment: [email protected]
OPENING NEXT
Bill Burns: Between Structure and Spirit
April 15 – May 2, 2026
Burns works at the threshold where discipline yields to instinct. Trained as a designer — a decade as Senior Designer at Pottery Barn, a BFA from California College of the Arts — he brings a rigorous compositional intelligence to painting that never forecloses on the unexpected. In Between Structure and Spirit, color moves through each canvas with a quality simultaneously architectural and atmospheric. Some works press upward with devotional persistence, straining through earlier layers toward clarity. Others carry the heat of a present moment. Together they form a sustained argument for painting as a form of seeking — not doctrinal, but no less sincere.
This is Burns' first exhibition with Collective Z. The artist will be present at the opening.
ALSO COMING
Collective Z at Future Fair · May 13–16, 2026
We are pleased to share that Collective Z has been selected to exhibit at Future Fair this May in New York. More on what we'll be showing soon. If you'd like a complimentary VIP pass, please reach out.